Presentation of a portrait of Mr. Kochubey. Kochubey Natalia Viktorovna
Raising children is a risky business. For in case of success, the latter is acquired at the cost of great labor and care, but in case of failure, grief is incomparable with any other.
Democritus
Welcome to the page of the senior educator, here you can find consultations for teachers and parents, seminars, round tables, recommendations and memos on designing a portfolio, etc.
About myself
I work as Deputy Head of VMR in MBDOU MO Krasnodar "Kindergarten of combined type No. 105"
Education:
1. Smolensk Pedagogical College,qualification: educator of preschool children, specialty "Preschool education", 1998.
2. North Ossetian State Pedagogical Institute, qualification: Organizer-methodologist of preschool education, 2013
3. GBOUDPO KK KKIDPPO, qualification: Management in education, 2014
Additional education:
from 14.09.2014 until May 24, 2015 passed a short-term training at the Institute for Advanced Studies and Retraining of Public Education Workers of the Moscow Region, on the topic "Modern Technologies for Improving the Professional Competence of a Preschool Teacher".
Pedagogical experience: 17 years.
Books that shaped my inner world
I love books about health and healthy lifestyle.
"Health. A healthy lifestyle,” these words sound more and more often and make you think about what you need to do, or maybe, on the contrary, not do, in order to strengthen your health. After all, sometimes we lack basic knowledge. And folk wisdom says: "He who is warned is armed."
I re-read classical literature and understand it in a new way.
Classical literature make up foundation cultural potential of the student, are a prerequisite for his overall development and spiritual maturity.
My view of the world
You are the main designer of your life, whether you realize it or not.
Our children will never be the same as us. Most of our children have nannies and do not go to kindergartens. They never walk outside after school with friends and classmates with the key to the apartment around their necks. Because, firstly, it is scary to let the child out into the yard, and secondly, an alternative has appeared at home - computer games and game consoles.
In recent years, children's infrastructure has developed greatly - studios, circles, developing children's centers. Lots of activities for all tastes. We children could only dream of such a thing. Maximum - went to the sports section or music school. Today, already for a nine-month-old baby, you can find developmental activities, and swimming is taught to babies from birth.
Our children have much more opportunities!
My achievements
Successes and achievements of my children and pupils.
My portfolio
Preschool childhood is a period of intensive growth and development of the body and its increased sensitivity to the influences of the natural and social environment, including preventive and recreational activities carried out in kindergarten. The effectiveness of these measures largely depends on how natural and adequate the conditions of the child's life in a preschool educational institution are to the laws of the formation of his body.
The conditions of the kindergarten must meet the age-related needs of the growth and development of the child and ensure its harmonious development, education and upbringing.
One of the most important and powerful natural stimulators of growth and development of a child in kindergarten is motor activity, which influences the formation of the physiological systems of the body in accordance with natural laws, ensuring its vital activity and successful adaptation to the changing conditions of the modern world. Unfortunately, the lifestyle and health of modern preschoolers reflect the negative influences of the civilized world.
The main sign of the present time has become hypokinesia - low motor activity of children, which does not ensure the full development of physiological functions and the strengthening of the protective forces of a growing organism.
In this regard, the main direction of the health-saving activity of the kindergarten is the formation of the child's physical culture, his internal need for physical activity.
It is important to determine what type of motor activity the child likes the most and provide him with the opportunity to engage in it in the conditions of a game physical culture and sports environment prepared for this.
The main principle of raising a healthy child in kindergarten is to provide such a level of physical activity that takes into account the individual age characteristics of the body, corresponds to its functional capabilities and determines the necessary and sufficient conditions for harmonious development.
Biography
“She has a graceful figure, she dances beautifully, in general, she is exactly what you need to be to charm. They say that she has a lively mind, and I readily believe this, since her face is very expressive and mobile.
Another contemporary noted that Natalya Viktorovna "is quite beautiful, full of talents and well-educated." Speaking about the character of the girl, Speransky noted in a letter to his daughter: “The young countess, I think, is simply fearful and shy, this is often found in the most extensive societies ...” Count I. I. Vorontsov-Dashkov and A. F. Orlova. Princess Kochubey actively held on to the first candidate, she really wanted to marry her daughter to him, but Orlov seemed to her of the wrong origin. Natalya herself did not want either one or the other groom.
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Natalia and Alexander Stroganov |
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In September 1820, Natalia Viktorovna became the wife of Baron Alexander Grigoryevich Stroganov (1795-1891). Their family life from the very beginning was unsuccessful. Already in January 1821, rumors circulated in St. Petersburg that Stroganov did not get along very well with his wife, and that it came to violence. Some said that the reason for the disagreement was the neglected illness of her husband, others - his irresistible attraction to the old theatrical affection, and also that both families with mutual claims were to blame for everything. According to a contemporary, "on the part of the baron, it was a marriage of convenience, and love was only on the part of the bride." In the future, the relationship of the spouses did not go beyond the boundaries of secular decency.
In 1841, Count Stroganov was retired and left Russia with his family for several years, spending the winter in Paris and the summer on Bohemian waters, in Karlsbad, Teplitz and Aachen. At this time, Countess Stroganova became close to Sofia Petrovna Svechina, who converted to Catholicism. S. M. Solovyov, who accompanied the Stroganovs as a teacher of their children, wrote:
| She became close to one Russian lady, who had long since settled in Paris, Svechin. This candle converted to Catholicism and, under the guidance of various abbots in cassocks and tails, took up the deeds of mercy. These abbesses and abbess Svechin caught our Stroganov, which was not difficult for them: vexation with everything Russian, mainly with the emperor, could not arouse in her an ardent zeal for the Russian Church. Stroganov, a woman without convictions, without a heart, was seduced by this external, sensual, theatrical Catholic piety; she was seduced by this new activity that had opened up to her, this Catholic mercy, so closely intertwined with intrigue, with the formation of societies, lotteries, with all these worldly amusements, tinted with Christianity, but having nothing Christian in them. |
Interest in Catholicism and visits to Catholic churches, not hidden by Stroganova, led to rumors spreading in the world about the conversion of the countess to another faith. In recent years, Natalya Viktorovna's life has not been calm. In 1839, a seventeen-year-old daughter died, three years later - the youngest son, who "on the way from Dresden to Weimar, choked on a chicken bone that his mother herself gave him".
In 1853, she also lost her second daughter. The marriage turned out to be unhappy: both spouses allowed themselves connections on the side. Countess Natalia Viktorovna Stroganova died on 24 January 1855 in Saint Petersburg and was buried at the Tikhvin Cemetery of the Alexander Nevsky Lavra.
Pushkin
A. S. Pushkin in 1810
Acquaintance and meetings of Natalia Kochubey with Alexander Sergeevich Pushkin date back to the first years of his stay at the Lyceum. Spending the summer months with her parents at the dacha in Tsarskoe Selo, the Countess often met with Lyceum students. Later, in the sketches for his autobiography, under the period “1813”, Pushkin writes: “Gr. Kochubey. According to M. A. Korf, " it was hardly she (and not Bakunin) who was Pushkin's first love". Possibly, the poems Treason (1815) and Intoxicated with Memory (1819) are dedicated to her.
Like other secular beauties of the early 1820s, Natalia was considered by early Pushkinists as a candidate for the role of the poet's "hidden love". Namely, P. K. Huber in his book “Don Juan List of A. S. Pushkin” (1923), refuting Shchegolev’s assumption, put forward a different hypothesis for decoding the initials “NN” (which, however, did not receive any support):
| ... Pushkin found in his feeling for N.V. Kochubey-Stroganova a new, abundant source of poetic excitement, which did not dry out until 1828. With the memories of Natalia Viktorovna, in addition to "Poltava", You can connect the "Caucasian Prisoner", "Bakhchisarai Fountain", "A conversation between a bookseller and a poet", some lyrical stanzas of "Eugene Onegin" and, finally, by Pushkin's own admission, some touches in Tatiana's character. |
Later, already a married lady, Countess Stroganova met Pushkin in the light: at the Karamzins, in whose salon she was a regular visitor, and with mutual friends. The first ball that Pushkin attended with his young wife took place in the mansion of Natalia Viktorovna's father, Count V.P. Kochubey, on November 11, 1831. The owner’s daughter was also present at the same ball, along with her husband, Count Alexander Stroganov (who was the second cousin of N. N. Pushkina), who in October 1831 was promoted to the rank of major general and appointed to His Majesty’s retinue. In the first half of November, in the eighth chapter of Eugene Onegin, lines appear in which, according to Pletnev, the poet described exactly Countess Stroganova:
The lady approached the hostess,
Behind her is an important general.
Working in 1834-1835 on the novel "Russian Pelam", Pushkin introduces N. Kochubey and her father as the main characters, who are mentioned either under the name "Kochubey" or "Chukolei". According to the poet's plan, the heroine, ignoring the opinion of the world, sends an encouraging letter to the hero, rejected by society.
Natalia Viktorovna was also drawn into the poet's family drama. P. I. Bartenev conveyed the words of Princess V. F. Vyazemskaya: “On the eve of the New Year, the Vyazemsky had a big evening. As a groom, Gekkern appeared with his bride. There was no reason to refuse him from the house. Pushkin and his wife were right there, and the Frenchman continued to be near her. Countess Natalya Viktorovna Stroganova told Princess Vyazemskaya that he looked so terrible that if she were his wife, she would not have dared to return home with him. S. N. Karamzina wrote in 1836 about the celebration of her name day on September 17, which was attended by Pushkin and his wife, sisters Goncharova and Dantes, who “without leaving a single step from Ekaterina Goncharova, cast passionate glances at Natalie from afar, and in the end, he nevertheless danced a mazurka with her.
Countess Stroganova, in contrast to her husband's sister Idalia, whom Pushkin scholars consider one of the main figures in this intrigue, remained a true friend of Pushkin even after his death. Alexander Karamzin wrote:
| Do not think, however, that the whole of society stood up against Pushkin after his death; no, only Nesselrod and some others. Others, on the contrary, for example, Countess Nat[ali] Stroganova and Ms. Naryshkina (Map. Yakov.), came out in his defense with fervor, which even led to several quarrels, and most did not say anything at all - as befits them. |
According to P.K. Huber, one of the reasons why contemporaries and the first Pushkinists avoided talking about Pushkin’s relationship with N.V. Kochubey was her husband’s longevity (he lived to be 95 and died in 1891), while life of which mention of this hobby in the press was impossible.
Forget everything;
In this new share
Be happy.
Only in spring
Zephyr young
Rose captivated;
In a passionate youth
I was beautiful
Engaged in the network.
No, I will not
Continue to sigh
I will forget the passion;
Full of suffering!
Soon sorrow
End meeting.
Oh! is it for you
young singer,
Elena's Charm
Rose bloom?
Let all the people
seduced by her,
Following a dream
Rushing in a crowd;
In a peaceful dwelling
On the ashes
In a simple bowl
I will be at peace
Draw oblivion
And for friends
frisky hand
move the string
my harp."
In boring separation
So I dreamed
In sorrow, in pain
He delighted himself;
Inflamed in the heart
Elena's image
Wanted to exterminate.
Last spring
young chloe
Thought to love.
Like a breeze
Drives a leaf
With a rushing wave
So incessantly
fickle
Played with passion
Leela, Temir,
adored everyone,
Heart and lyre
Dedicated to everyone. -
What? - in vain
From a beautiful chest
I tore off the shawl.
Vain betrayals!
Elena's image
Burning in my heart!
Oh! come back,
joy of the eyes,
Cold, move on
My sadness. -
Calls in vain
Poor singer!
Not! Doesn't meet
Anguish is over...
So! To the grave
sad, despondent,
Seek blood!
Forgotten by everyone
entwined with thorns
Pull the chains.....
This lyceum poem by Pushkin, according to researchers (in particular, B. Tomashevsky), was dedicated to Natalya Viktorovna Kochubey, daughter of Count Viktor Pavlovich Kochubey, Minister of the Interior under Alexander I. Young Natalya, together with her parents, spent the summer in Tsarskoye Selo in 1812. Nothing is known about this children's romance, and most likely, given the age of the chosen one and the young admirer, he was nothing more than a school hobby, and unrequited. The poet, without changing the style of his early anacreontics, sang Natalya Kochubey under the name of the beautiful Elena, raising the "young rose" above the host of all the young beauties glorified by him, all with the same anacreontic names - Chloe, Lila, Temir. However, it is quite obvious that the poem reflects not a fleeting "seasonal" feeling, but the history of a long ("poetic" chronology covers at least two years) struggle with passion for "proud Elena". Cheating is recognized as a fruitless cure for love, and the lyrical hero feels doomed to loneliness to the grave. Perhaps the feeling was fueled by the fact that some other lyceum students were in love with Natalya Kochubey, for example, Ivan Pushchin. But the poetic chronology hardly corresponds to the real one, and the hobbies of Pushkin the lyceum student changed each other quite often, and sometimes even coexisted. In any case, as one might suppose, the poet's feeling remained unanswered. But Pushkin remembered this young love of his, and when already in the 1830s he sketched out the program for his future autobiography, a note appeared in it: "Country Kochubey."
In 1820, Natalya Kochubey married Count Alexander Grigoryevich Stroganov, and Pushkin subsequently, especially in the 1830s, repeatedly met with Natalya Viktorovna both in the house of her husband and in the house of Grigory Alexandrovich Stroganov, her father-in-law and great-uncle Natalia Nikolaevna Pushkina . As you know, the Stroganov family played a largely unseemly role in the poet's pre-duel history. Idalia Poletika, the illegitimate daughter of Grigory Alexandrovich Stroganov, was involved in the anti-Pushkin "party" and, according to many researchers, actively participated in the conspiracy against the poet. Alexander Grigoryevich Stroganov treated Pushkin with pronounced hostility. He was close to the court, invariably held important government positions, in particular, since 1834 he was a deputy minister of the interior. He far outlived his wife and died in 1891 at the age of 96.
In the 1830s, Natalya Viktorovna became close to the Karamzin salon (here she was called "Countess Natalya"), where she also met with Pushkin. In the Karamzins' salon, there was a lot of gossip about Pushkin's family affairs, and not always in a friendly manner. It is all the more important that in such an environment Natalya Viktorovna invariably took his side. Unfortunately, little is still known about this period in the life of the Stroganov family, and in particular "Countess Natalya", and perhaps there are many secrets and details unknown to us in the archives that could shed light on the intrigues of which he became a victim. Pushkin.
In the 1830s, Natalya Kochubey-Stroganova became one of the most brilliant ladies in St. Petersburg. They fell in love with her, she, like Natalie Pushkina, shone at balls in the Anichkov Palace and was considered a recognized beauty. One of her inconsolable admirers was Nikolai Alexandrovich Skalon, a friend of the Rosset brothers and an acquaintance of Pushkin. Here is how Alexander Karamzin described her: "... she enters brilliant, beautiful, in some kind of devilish dress, with a devilish scarf and many other things that are also devilishly sparkling." Sofya Karamzina in her letters hints that Pushkin had a special feeling for "Countess Natalya" associated with past worship. One evening in September 1836, Pushkin and his wife, Ekaterina Goncharova and Dantes were at the Karamzins'. “It was a pity to look at the figure of Pushkin, who stood opposite them, in the doorway, silent, pale and threatening,” writes Sofya Karamzina. “My God, how stupid it all is! When Countess Stroganova arrived, I asked Pushkin to go talk to her. He I was about to agree, blushing (you know that she is one of his *relationships*, and a slave one at that), when suddenly I see him suddenly stop and turn away with irritation. this count is already sitting." - "Which count?" - D "Antes, Gekren, or something!".
The Pushkins celebrated New Year 1837 at the Vyazemskys. Among the guests was Natalya Kochubey-Stroganova. Dantes appeared with his fiancee Ekaterina Goncharova. Countess Natalya felt the approaching catastrophe and told Princess V.F. Vyazemskaya that Pushkin looked so terrible that if she were his wife, she would not risk returning home with him.
Already after the death of Pushkin, in March 1837, A. N. Karamzin wrote to his brother: “You should not, however, think that the whole society was against Pushkin after his death: no, it’s only the Nesselrod circle and someone else. On the contrary , others, such as Countess Nat. (alya) Stroganova and Mrs. Naryshkina (Mar. (iya) Yakov. (Levna) spoke with great fervor in his favor, which even caused several quarrels ".
Some researchers believed that it was Natalya Kochubey who was dedicated to Pushkin's long-term "hidden love", which still intrigues Pushkinists. P. Huber adhered to this point of view. He was guided by the following arguments. In the well-known playful Don Juan list of Pushkin, the name Natalya appears three times, and the second time it is encrypted in the mysterious initials NN (under the first Natalya one should see the serf actress sung by him, under the third - Natalya Nikolaevna). In the drafts of Poltava, Maria Kochubey was first called Natalia. In one of his letters to Pushkin, his friend N. Raevsky mentions a meeting with the parents of a certain "Natalya Kagulskaya", and P. Guber connects the nickname "Kagulskaya" with Pushkin's famous elegy of 1819:
Drunk with memories,
With reverence and longing
I will enclose your formidable marble,
Cahul is an arrogant monument.
Not a bold feat of the Russians,
Not glory, a gift to Catherine,
Not a transdanubian giant
I'm being ignited now...
This poem is about a monument erected in Tsarskoye Selo in honor of the victory of Count Rumyantsev over the Turks at Cahul. But it is quite obvious that this monument reminds the poet of some deeply personal event. Maybe some memorable meeting took place here? It should be noted that the Kochubeev family spent several years abroad and returned to Russia only in 1818. The return of Natalia could stir up youthful memories in Pushkin's soul. Who knows?... P. Huber believed that it was Natalya Kochubey who could tell Pushkin the legend of the Bakhchisarai fountain (Pushkin designated the lady from whom he heard it with the initial K.). But on the whole, the arguments of P. Huber did not seem to the researchers sufficiently solid, and his version did not find followers, although it took its place in long discussions about the poet's "hidden love". Natalya Kochubey was also considered as a prototype of Pushkin's Tatyana (along with many others). The corresponding note is still in the draft notes of P. V. Annenkov. This, of course, was about Tatyana, "the impregnable goddess of the luxurious royal Neva" (Chapter 8, stanzas XIV-XVI). Natalya Kochubey, being the daughter of one of the first persons of the state, could not in any way resemble the savage Tatyana, who grew up "in a deaf, distant side." However, even in the first case, one can hardly see any pronounced similarity between Pushkin's Tatiana and "Countess Natalia". According to the Karamzins, she was very coquettish, and Alexander Nikolayevich Karamzin in 1837 directly complained in a letter to his brother Andrei about her "persecution": "However, I also had adventures in the winter: remember, I once wrote to you that I was alarmed by the persecution of the countess Strict. (new). So! Since then, it has only grown and flourished more! We were inimitable: I - with my shoots, she - with her persecutions, forcing me to dance long dances with her, arranging scenes of jealousy and pestering me tender reproaches for my indifference, while I pretended to understand nothing of what she was saying to me, and kept asking for an explanation of her hints... Be that as it may, the former beautiful countess, it seems to me, abandoned her plans for me and is content with making eyes for me, often comes to us, even on holy week, and does me indirect favors, supplying her mother with many bouquets of flowers. However, with age, the character of Countess Natalia, whose life took place in high society salons, could change. But one thing is certain: Pushkin did not forget about his young love and retained deep respect for Natalya Viktorovna. In 1835, he considered the novel "Russian Pelam", and in the plans left by him, he named her name. Natalya Kochubey was assigned a noble role in the plot of the future novel: she had to enter into correspondence with the main character in order to warn him against intrigues being prepared against him (VIII, 974-975). With the same frankness, she spoke out against Pushkin's enemies in the tragic days of 1837.
_____________________________________________
Pushkin in the letters of the Karamzins in 1836-1837. M.-L. 1960. S. 97.
There. S. 109.
There. S. 194.
Huber P. Pushkin's Don Juan List. Petrograd. 1923.
Pushkin in the letters of the Karamzins. pp.204-205.
© Zababurova Nina Vladimirovna
Her face is familiar to many thanks to the wonderful portraits painted by O. Kiprensky, A. Bryullov and P. Sokolov. Many researchers call her Pushkin's first love, and some argue that she was his "hidden love", encrypted in the Don Juan list under the initials NN and became the prototype of the married Tatyana Larina. Countess Natalya Viktorovna Stroganova, nee Kochubey, was a brilliant salon hostess and trendsetter, and no one disputed this. But contemporaries left very conflicting reviews about her behavior and personal qualities.
There are many white spots in her biography. Only a few facts are known for certain. She was born in 1800 in the family of a diplomat, Minister of the Interior, Count V.P. Kochubey. Soon after his marriage, the count fell out of favor with the emperor, so Natalya Kochubey spent her early years abroad with her family.
After Alexander I ascended the throne, the count was able to return to court. Soon Natalya Viktorovna was granted a maid of honor. Empress Alexandra Feodorovna wrote: “Now the time has come to talk about the Kochubey family. They were absent for several years, and only in 1818 the count, countess and their beautiful daughter Natalie were presented to me in Pavlovsk. Lyceum student Korf claims that Natalya Kochubey was "Pushkin's first love". Some researchers support this opinion and believe that one of his earliest poems, “Treason,” is dedicated to her.
During this period, many familiar families speak of Natalya Viktorovna with genuine admiration: “She has a graceful figure, she dances charmingly, in general, she is exactly what you need to be to charm. They say that she has a lively mind, and I readily believe this, since her face is very expressive and mobile. Another contemporary said that she was "quite beautiful, full of talents and well brought up." M. Speransky wrote: "I saw here for the first time Natasha in a French quadrille, the embodiment of grace."
Dolly Ficquelmont spoke of her like this: “Natalie Stroganova has a piquant physiognomy; certainly, not being a beauty, she seems to be liked much more than many other beautiful women. The whimsical expression on her face suits her very well. Her eyes are especially beautiful - they are her main beauty. At the same time, she is very witty.”
In 1820, Natalya Kochubey married Count Stroganov. Most of his contemporaries unanimously call him a narrow-minded and untalented person. The historian S. Solovyov, who was the educator of children in their family, gave him the most merciless characterization: “Alexander Grigoryevich Stroganov ... served as a terrible example of what kind of people in Russia during the reign of Nicholas I could reach the highest levels of the career ladder. ... Having an extremely superficial mind, ... he laid out some absurd thought with importance and tried to puzzle it, stubbornly supporting and arranging other similar absurdities. At the same time - not the slightest nobility, delicacy.
Solovyov did not spare his wife either: “The wife was even worse than her husband: with a mind and education also superficial, with huge claims for both, with a complete lack of heart, selfishness embodied, promiscuity of means, the ability to stoop to the most indecent quests when it was considered necessary , and at the same time pride, exorbitant love of power - here is Countess Natalya Viktorovna Stroganova, nee Princess Kochubey. This couple was spoiled by the governorship. ... This preeminent position, this servility of the Russian provincial officials, the nobility and merchants before the governor-general easily corrupted the Stroganovs.
Many contemporaries considered their marriage unhappy - the count was not distinguished by fidelity to his wife, and she paid him the same coin. Solovyov characterized the countess as "a woman without convictions and without a heart" and hinted at the fact that in St. Petersburg she led a dissolute life. Even Dantes is called among her lovers. Nevertheless, in the last decade of his life, Pushkin often saw Countess Stroganova, she remained his faithful friend until her death. This salon hostess was for the poet the standard of a secular lady. Pushkin told Pletnev that Stroganova served as his prototype for the image of the married Tatiana in the 8th chapter of Eugene Onegin.
P. Huber believes that it was Stroganova who became the very “hidden love” of Pushkin, for whom he had unrequited feelings, but other researchers refute this statement:
Pushkin and 113 women of the poet. All the love affairs of the great rake Shchegolev Pavel Eliseevich
Kochubey Natalya Viktorovna
Kochubey Natalya Viktorovna
Natalya Viktorovna Kochubey (1800–1854) - daughter of Maria Vasilievna Kochubey, ur. Vasilchikova (1779-1844) and the Minister of the Interior, later Chairman of the State Council and the Cabinet of Ministers, Vice-Chancellor V.P. Kochubey.
“She was Pushkin's first love,” recalled the lyceum student Korf. Pushkin met her in Tsarskoye Selo, where she spent every summer with her parents. In his plan for an autobiography, under the period “1813,” the poet wrote: “Gr. Kochubey.
Here is the testimony of her contemporary: “She has a graceful figure, she dances beautifully, in general, she is exactly what you need to be to charm. They say that she has a lively mind, and I readily believe this, since her face is very expressive and mobile.
Dolly Ficquelmont left us her description of the appearance of Natalia Kochubey, who had already become Stroganova, in the 1830s: “Natalya Stroganova has a piquant physiognomy; certainly, not being a beauty, she seems to be liked much more than many other beautiful women. The whimsical expression on her face suits her very well. Her eyes are especially beautiful - they are her main beauty. At the same time, she is very witty ... "
In 1820, Natalya Viktorovna married Count A. G. Stroganov, a relative of the Goncharovs and brother of Idalia Poletik. Previously, she was married to Count M. S. Vorontsov, the future Governor-General of Novorossiysk. He liked Natalya Kochubey, but for some reason the wedding did not take place. As a result, Vorontsov married Elizaveta Ksaveryevna Branitskaya (who became E.K. Vorontsova after marriage).
The marriage was unhappy. Count Stroganov was not distinguished by fidelity to his wife, and Natalya, in turn, also did not deny herself love affairs on the side.
It is known that for a long time she literally besieged Nicholas I, seeking his reciprocity. By the way, one of her lovers was the future killer of the poet - Dantes.
Natalya Viktorovna often met Pushkin not only during the lyceum period, but also in the last decade of his life, in particular, in St. Petersburg in the houses of the Karamzins, Vyazemskys and others. She, in contrast to her husband and his sister, remained Pushkin’s true friend as before, as well as after his death.
Researchers believe that Pushkin reflected his feelings for her in the poems "Treason" (1815), "Elegy" (1819).
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From the book The Shining of Unfading Stars the author Razzakov FedorNatalya BELOKHVOSTIKOVA Even when Belokhvostikova starred in her first film By the Lake (1970), there were rumors among the people that she was having an affair with the director of the film and her VGIK teacher Sergei Gerasimov. However, the actress herself denies this, claiming that she is Gerasimova
From the book Personal Life of Alexander I author Sorotokina Nina MatveevnaNatalya KUSTINSKAYA In the mid-50s, Kustinskaya was considered one of the most beautiful students at VGIK. Slender, fair-haired, she literally drove her classmates crazy. More mature actors did not stand aside. So, in 1958, when Kustinskaya starred in the film
From the book Love and Follies of the Generation of the 30s. Rumba over the abyss author Prokofieva Elena VladimirovnaGUNDAREVA Natalia GUNDAREVA Natalya (actress of the theater, cinema: “In Moscow, passing by ...” (1970; saleswoman), “Hello and goodbye” (1973; Nadezhda), t / f “Cement” (1974; Motya), “Autumn” ( Dusya), “The Hottest Month” (Galina), TV / joint venture “Innkeeper” (the main role is Mirandolina) (all - 1975), “Sweet
From the book Natalia Goncharova against Pushkin? War of love and jealousy authorDUROVA Natalya DUROVA Natalya (tamer, since 1978 the permanent artistic director of the theater "Grandfather Durov's Corner"; died on November 26, 2007 at the age of 74). A few months before her death, Durova suffered severe pneumonia, which undermined her
From the book Beautiful Natalie author Gorbacheva Natalia BorisovnaKochubey Viktor Pavlovich Vigel writes: “In order to compose the genius of one person, nature is often forced to take away the mental abilities of his whole family. This is what she did with the great Suvorov and the glorious Bezborodko. Glancing at near and distant relatives,
From the book Love in the arms of a tyrant the author Reutov SergeyElena Vladimirovna Prokofieva, Tatyana Viktorovna Umnova Love and madness of the 1930s generation. Rumba over the abyss Love is a dream in a dream... Love is the mystery of the string... Love is the sky in a vision... Love is a fairy tale of the moon... Love is a sensual string
From the book 100 Great Love Stories author Kostina-Cassanelli Natalia NikolaevnaNatalya “My family is multiplying, growing, making noise around me. Now, it seems, there is nothing to grumble about life, and there is nothing to be afraid of old age. A bachelor is bored in the world: he is annoyed to see new, young generations; one father of the family looks without envy at the youth surrounding him.
From the book Against the Current. Academician Ukhtomsky and his biographer author Reznik Semyon EfimovichNatalya “My family is multiplying, growing, making noise around me. Now, it seems, there is nothing to grumble about life and there is nothing to be afraid of old age. A bachelor is bored in the world: he is annoyed to see new, young generations; one father of the family looks without envy at the youth surrounding him. From
From the author's bookMatryona Kochubey. You - Mazepa They rang for mass, but Matryona was in no hurry - God will hear your prayer everywhere, even in the temple, even in the house, even in the field. It was cold in the cell. Although what to expect from a monastery built a century ago? It is always cold here, even in the July heat.
From the author's bookIvan Mazepa and Matryona Kochubey Some personalities leave such a deep mark on history that the echoes of their activities are heard not even decades, but centuries. Undoubtedly, Ivan Mazepa, the hetman of the Zaporozhian army, was such an outstanding personality.
From the author's bookChapter twenty-four. Albina Viktorovna 1. Her first letter, dated December 26, 1980, I quote almost in its entirety: “Dear Semyon Efimovich! I had a very great grief - my long-suffering friend Vasily Lavrentievich died] 6 / XI - 80<…>The last one and a half, and especially
