Twitter is a museum of political history. Museum of Political History of Russia: interactive exhibition in a modernist mansion

If politics in Russia is quite ambiguous, then the museum of political history definitely makes an impression and is worth your time. How did the Empire develop during its heyday? What were they talking about on the sidelines of the Kremlin? And why did Russia change its form of government twice in one century?

Short description

State Museum of Political History of Russia is located on Petrogradsky Island and occupies two mansions at once - the houses of M. F. Kshesinskaya and V. E. Brant. The museum is in charge of huge museum collection, covering the political history of Russia from the reign of Catherine II to the present day. Also for visitors valid separate exhibition, dedicated to the ballerina Matilda Kshesinskaya, whose house witnessed V.I. Lenin’s speeches before the assembled people.

The museum's collection includes unique exhibits, such as:

• portfolio of Reichsmarshal G. Goering
• dress by E. A. Furtseva
• concert outfits of M. F. Kshesinskaya
• camera on which M. S. Gorbachev’s video message to people in “Pharos captivity” was recorded
• portrait of Nicholas II, hanging in the Winter Palace and pierced by bayonets of the rebels on the day of the assault

Story

Museum of the Revolution

The idea of ​​​​creating the Museum of the Revolution arose long before the Revolution itself. The museum's first exhibit was a defective banknote., one of many that the Bolsheviks forged in Europe and transported to Russia for the needs of the revolution. It was sealed in a bottle and buried near the Bolshevik secret house in Finland. Already in the 30s, N. Burenin, while in Finland, dug up a bottle with a banknote and donated it to the Museum of the Revolution.

The February Revolution was followed by a time of relative calm, and in the Winter Palace, where meetings of the Society in Memory of the Decembrists had already been held, It was decided to make the Palace of the Revolution. However, the October Revolution soon came, and with it the Civil War, so the idea of ​​the museum had to be postponed until better times, namely until 1919.

In the spring of 1919, in Petrograd, which was being attacked by the army of the white general N.N. Yudenich, a meeting was held, the main topic of which was the creation of the Museum of the Revolution. According to the approved Regulations, it was decided to create such museums in two capitals - Moscow and Petrograd— and several in individual provinces throughout the country.

The tasks of these museums included:

• collection, storage and exhibition of monuments of the Revolution
• guarding the graves of revolutionaries, keeping them clean
• installation of identification marks and tombstones

October 9, 1919 of the year counts official opening day State Museum of the Revolution. Main Museum the most significant period of that era opened in the most historically significant place for this - Winter Palace. The museum's collection represented monuments to the revolutionary activities of all parties, not just the Bolsheviks. Exhibits flocked to the museum from all over the country; the masses were involved in this, and not just the ruling elite. Museums of the Revolution began to open throughout the USSR, and also in Moscow. It is interesting that the Moscow Museum of the USSR Revolution became central in the 70s, and the Leningrad Museum thus became its branch.

Museum of the Revolution, not without outside help, collected a unique collection world revolutionary movement. A separate exhibition showed visitors flags, posters and propaganda leaflets of the times The Great French Revolution and the Revolution in Germany. The museum also exhibited an exhibition of contemporary art objects that reflected the spirit of the time.

Ironically, the Museum of the Revolution saved many memorial and historical objects of Leningrad. The branches of the museum were the Peter and Paul and Shlisselburg fortresses, the estate of Count A. A. Arakcheev in Gruzino and other cultural monuments. In 1923, the mansion of M. F. Kshesinskaya, where in 1917 V. I. Lenin lived for 3 months after the February Revolution, opened the exhibition “Ilyich’s Corner”. Was there in 1936 The S. M. Kirov Museum was created.

The reforms of the 30s of the 20th century had a very serious impact on museums. The role of many revolutionary figures was revised, many became “enemies of the people.” All exhibits related to them in one way or another were confiscated without explanation.

The role of other parties in the cause of the Revolution was recognized as insignificant, museums were filled with propaganda of the Soviet regime and the “theory of the two leaders of the revolution” - Stalin and Lenin.

The historical interiors of the Winter Palace were closed, Museum of the Revolution due to his authority and direction, he stayed afloat for some time, but after the murder of Kirov it was closed for 6 months. The entire exhibition has been revised to ensure it “correctly reflects historical events.”

In the second half of the 30s Each new exhibition was carefully selected by party organs. Everything that did not correspond to party propaganda was confiscated, faces from photographs and names from documents were erased. A huge number of falsifications have appeared.

For example, S.V. Spirin’s sketch for the painting “Stalin in Exile” required changes “in accordance with the present moment.” At a meeting of the Museum, which was necessarily attended by party representatives, it was decided that it was necessary to show contempt for Kamenev on the canvas. The artist redid the sketch.

The museum staff themselves falsified data about exhibits, in order to avoid their death in the abyss of a totalitarian regime. The number of enemies of the people grew every day, museum repeatedly closed due to inconsistency with the party program. Not only the museum's foundation, but also its employees were subject to repression. Museum workers saved some exhibits at the risk of their lives. Until some time, censors did not notice the corrected names on the sculptures and did not distinguish Menshevik leaflets from Bolshevik ones due to their illiteracy in this matter.

Despite the resistance, the Museum of the Revolution gradually began to look more like an illustration for a Short Course in the History of the All-Union Communist Party of Bolsheviks. A huge number of exhibits were taken away without proper inventory. Only during the Great Patriotic War did the party loosen its grip on museums. During the war years, the museum held 123 exhibitions and preserved monuments to the feats of the inhabitants of besieged Leningrad.

After the war for the State Museum of the Revolution The dark decade has arrived. Back in January 1945, an order was given to the museum to vacate all the premises it occupied in the Winter Palace and transfer them to the Hermitage. And although a special commission was created to search for a new building for the Museum of the Revolution, the building was never found. Dolgikh for ten years the exhibits have been gathering dust in hastily assembled boxes in the backyards of the Marble Palace and the Peter and Paul Fortress.

Once again, the entire collection was purged during a new wave of repression and criminal cases against “enemies of the people.” It was during this dark decade Museum lost the bulk of their exhibits —more than 100,000.

Museum of the Great October Socialist Revolution

But, as we know, the darkest hour is before the dawn. The Stalinist repressions were replaced by the “Khrushchev thaw,” and the museum was revived along with the building donated to it, or rather, two: the mansions of M. F. Kshesinskaya and V. E. Brant. And immediately fresh intellectual personnel burst in here. It was they who soon headed the museum research departments and the science of Russian history. And it was they who initiated the name change to Museum of the Great October Socialist Revolution.

The exhibition halls were filled and decorated in the shortest possible time and, as part of the fight against the cult of personality, monuments of repression came into the hands of museum workers: papers stored in family archives, files of political prisoners, etc. But this flow stopped with the “thaw”.

The Museum of the October Revolution enjoyed enormous popular trust; personal items arrived:

• heroes and commanders-in-chief of the Great Patriotic War
• first cosmonauts
• writers
• singers
• actors

Museum employees again began to go on expeditions and collect exhibits from the archives of ordinary citizens.

Soon the political era of Khrushchev has arrived, accompanied by the suppression of dissidents, in particular the expulsions of Joseph Brodsky and academician A.D. Sakharov from the country, and the persecution of A.I. Solzhenitsyn. Memorable exhibits of this period began to replenish the museum collection only years later, and now form a separate exhibition, testifying to the suppressed cultural surge in the ranks of the intelligentsia.

In the 1970s Museum The Great October Socialist Revolution expanded and opened 2 branches. Currently they have been transformed and are:

• Children's Museum Center for Historical Education
• Museum of the History of Political Police and State Security Bodies of Russia in the 19th – 20th Centuries

In 1987, on the seventieth anniversary of the Great October Revolution, the Museum prepared the largest exhibition, consisting of 12 halls. With a sinking heart, for the first time since the beginning of the century, the exhibition included references to Grigory Zinoviev, Lev Kamenev, Alexei Rykov and Leon Trotsky. Party bodies did not approve of such an outburst, but they did not interfere with it, although the official political rehabilitation of these characters had not yet taken place in the USSR. Foreign radio stations trumpeted with one voice: The time has come for serious changes in the USSR.

State Museum of Political History of Russia

First absolute the Museum's victory over the party occurred in 1988, When The exhibition “Allowed for viewing!” was released. It includes archival materials prohibited from viewing by the general public. The propaganda department was unable to prevent this.

The next resounding success was exhibition “Russia: Terror or Democracy?”, for which the public lined up in huge queues. Thanks to exhibits from all over the USSR, transferred from the personal archives of citizens, the world saw exhibitions dedicated to “defectors”, Stalin’s terror, the Gulag, and the upturning of virgin lands.

It was previously impossible to even mention such a project, but now the Museum of the Great October Socialist Revolution felt its power over the minds of people

A few days before the August Putsch, USSR Minister of Culture Nikolai Gubenko gave the museum a new name - State Museum of Political History of Russia.

The renewed museum continued to collect exhibits - evidence of its time. Permanent exhibitions dedicated to Perestroika show appearance in Russia:

• multi-party system
• freedom of speech and press
• capitalism

The Museum of Political History of Russia today is a modern historical complex demonstrating evidence of the last centuries of political life in Russia. No assessments - just facts and different points of view of a particular era in the context of different people and different periods of history.

Here also valid constant exhibition, telling about the owner of the mansion where the museum is located - prima ballerina Matilda Kshesinskaya.

Architecture

Museum of Political History of Russia located in 2 buildings: mansions of M. F. Kshesinskaya and V. E. Brant. Both were built in the 1900s in the then fashionable Art Nouveau style, but they were designed by different people.

For prima ballerina Kshesinskaya the mansion was built by the architect A. I. von Gauguin, who created an elegant building with a bizarre asymmetry of the main objects. The external architectural solution corresponds to the internal one: different heights of individual rooms correspond to different heights of facades, the size and location of windows also reflect the internal layout.

Entrepreneur V. E. Brant ordered the project his mansion by the architect Robert-Friedrich Melzer, who generously used forged elements, high reliefs and stained glass in the decoration of the building. To the creation of stained glass, among other artists, K. S. Petrov - Vodkin was involved.

With the transfer of these buildings to the museum to them a lobby was added. The architectural elements of the lobby echo the architecture of 20th century mansions.

Excursions

Find out the schedule of excursions and You can register by phone:

You can also book individual and group tours in the museum in Russian and foreign languages. More details information can be found on the website:

Ticket price and opening hours 2019

Excursion ticket indicated in the museum schedule costs 300 rubles.

Museum opening hours:

• Monday: 10.00 – 18.00
• Tuesday: 10.00 – 18.00
• Wednesday: 10.00 – 20.00
• Thursday - closed
• Friday: 10.00 – 20.00
• Saturday: 10.00 – 18.00
• Sunday: 10.00 – 18.00

Sanitary day- last Monday of the month.

Where is

Address

st. Kuibysheva, 2-4

Metro

Gorkovskaya

How to get there

From Gorkovskaya metro station along Kronverksky Prospekt towards Kuibysheva Street. You can enter from Kronverksky Prospekt.

Telephone

• 8 812-233-70-52
• 8 812-313-61-63

The mansion, which today houses the Museum of Political History, was built in 1906 by order of the ballerina Matilda Kshesinskaya. The building was designed by the architect of the imperial court, Alexander von Gauguin. By the way, he supervised the construction of the cathedral mosque, which is located next to the mansion - both buildings belong to the northern modern style.

In fact, the museum occupies not one, but two mansions, united by a common building. The second belonged to entrepreneur Vasily Brant, who moved into his newly built mansion in 1911. Brant was rumored to be in love with Kshesinskaya and moved to be closer to her.

In 1917, both mansions were abandoned by their owners. The rooms where Sergei Diaghilev, Fyodor Chaliapin, Isadora Duncan and the Grand Dukes Romanov had been were occupied by the Bolsheviks - Lenin read the “April Theses” from the balcony. The ballerina tried to return the mansion through the court and even won the case, but the decision was not implemented because the new guests simply refused to leave.

What to see in the museum

In 2013, after ten years of preparation, a new permanent exhibition of the museum opened - “Man and Power in Russia in the 19th - 21st Centuries.” The space is divided into 12 thematic sections dedicated to key events in Russian history from the Patriotic War of 1812 to perestroika in the 1990s. In addition to historical documents and objects, the exhibition includes art objects and interactive elements. For example, you can hear a recording of Leo Tolstoy's voice or listen to songs from the Civil War.

It’s also worth going inside for the interiors that Kshesinskaya herself designed. Behind the glass bay window, which attracts the attention of passers-by on Kronverksky Prospekt, there is a winter garden. In front of it is the main room of the mansion, where the ballerina held receptions - the White Hall. Famous guests have been here, and once an elephant was hidden in the rotunda between the hall and the garden. Matilda invited trainer Durov to give a Christmas performance for her son Volodya. Durov arrived at the mansion with an elephant wrapped in a checkered blanket.

Who to go with

With kids: the museum has programs both for the little ones and for schoolchildren of all ages. You can book an excursion and visit the zemstvo school with your whole class, you can sign up for one of the classes, or you can just take a walk around the museum with the whole family.

With parents and grandparents: visiting this museum is a good opportunity to talk with older family members about their historical experiences. There are halls dedicated to the Soviet era, the Great Patriotic War, and perestroika, so even the youngest parents will have something to tell about their childhood and youth.

What else

The website contains interesting items developed by the museum. cycling routes, which start from the Kshesinskaya mansion.

The museum hosts many events - concerts, excursions, lectures. Subscribe to social networks to learn about them.

What to see in the area

Right next door to the museum is the main Russian Empire, and a little further away -, and. If you want to continue your immersion in political history, go to the House of Political Prisoners on Trinity Square: a constructivist commune house was built for the families of prisoners of tsarism. Many residents subsequently became victims of another regime - Stalin's; in their honor, the Solovetsky Stone was erected on the square in 1990. And if you decide to properly understand the structure of the Northern Art Nouveau style, in addition to the mosque and the Kshesinskaya mansion, consider the apartment building on Kamennoostrovsky Prospekt, 1. The famous architect Fyodor Lidval, the author of the Astoria Hotel, built it for his mother Ida Lidval.

Where to eat near the museum

You can have a hearty and inexpensive lunch after a long walk at. The menu includes khinkali (from 180 rubles for 3 pieces), ravioli (from 280 for 5 pieces), yaki-gyedza (from 150 for 5 pieces) and other analogues of dumplings from all over the world. The best place to discuss the vicissitudes of Russian history over a cup of coffee is in, located right in the grotto of Alexander Park. And if you want something exotic, there is a place on Kuibysheva Street where you can try, for example, tteokpogi (rice sticks in a spicy sauce with cheese, 260 rubles) or so kanjeong (spicy-sweet fried chicken fillet, 300 rubles).

The State Museum of Political History of Russia is one of the best and most interesting museums in St. Petersburg. Many come here for the first time to visit the famous Kshesinskaya mansion, where the museum is located. And then they return again to exhibitions, meetings, lectures, each time finding something new for the mind and heart...

History and general information

The museum’s birthday is considered to be October 9, 1919, when the State Museum of the Revolution was created by decision of the Petrograd Soviet. The museum, dedicated to the main event of the era, was located in the most significant place - in the Winter Palace, where it was located for more than a quarter of a century.

Representatives of various revolutionary parties dreamed of this museum, which was sure to appear in Russia, long before the overthrow of tsarism. A unique evidence of this is the unique exhibit, which is still on display today.

Thus, in 1907, the famous Tiflis case thundered, which consisted of the successful “expropriation” of a very large sum for the needs of the Bolshevik Party. The dashing raid was carried out right under the windows of the military district headquarters along the route of transportation of money by collectors from the post station to the bank. The numbers of large 500 ruble bills (there were 200 of them) were known to the secret police. At a secret dacha in Finland, where they managed to send the money, it was decided to change their numbers, and one treasury note was damaged. It was placed in a bottle and buried to be preserved specifically for the future museum. In the early 30s, one of the participants in the action found the cache, took out the contents and, returning from a business trip abroad, donated the rarity to the museum.

There are important dates in the history of the museum when it was about its very existence, but being on the brink and beyond survival, the museum was reborn each time.
The first post-war years turned out to be the most dramatic for the museum. The Winter Palace was completely transferred to the Hermitage, a company of soldiers urgently packed the entire collection of the Museum of the Revolution into boxes and took it out for storage in and.

During this period, events take place that are both sad and paradoxical: the collections, preserved with such difficulty during the years of Stalin’s purges and under bombing during the siege, are destroyed. According to the testimony of veterans of the museum business, who were young employees in those years, fires burned in the courtyard of the Peter and Paul Fortress, reminiscent of the times of the Inquisition or Hitler's putsch. According to surviving accounting documents, more than 93 thousand exhibits were burned for ideological reasons, which were marked “Permitted to be destroyed.” The museum is turning from a historical and political museum into a museum of one party of the CPSU and one event - the October Revolution of 1917.

The revival of the museum was associated with the onset of the Khrushchev Thaw, but after ten years of oblivion it was so incredible that it gave rise to a number of anecdotes and funny stories. They say that on his next visit to Leningrad, after visiting the Kirov plant, Nikita Sergeevich drove along Kirovsky Prospekt, and near the Kirovsky Bridge he became interested in a beautiful building - the Kshesinskaya mansion. When asked what was in it, the first secretary of the regional committee who accompanied him replied that it was the Kirov Museum. The state leader was terribly indignant that a real cult of personality had been created for Kirov, and ordered him to be immediately sent to his former apartment, and a Museum of the Revolution to be placed in the mansion.

Whether this is true or fiction, in December 1954 it was decided to transfer two buildings (the Kshesinskaya and Brandt mansions) to the museum, and on November 5, 1957, its rebirth took place - the museum, called the State Museum of the Great October Socialist Revolution, opened its doors to visitors .
In subsequent years, the museum loses its independence and becomes a branch of the Moscow Museum of the Revolution.

The museum owes its third birth to the changes that occurred in the country during perestroika, the bold initiative of the leadership and the dedicated work of the entire team. In August 1991, literally a week before the State Emergency Committee putsch, by order of the Ministry of Culture, the museum was given independent status and a new name - the State Museum of Political History of Russia. The first exhibition in the new capacity was called “Democracy or Dictatorship? Political parties and power in Russia from autocracy to perestroika.”

Museum location

Everyone is familiar with the expression: Petrograd is the cradle of the Russian revolution. But not everyone knows or remembers that the cradle of the city on the Neva itself was not the Palace Embankment or Nevsky Prospect, but the Petrograd Side. Construction began from here in Peter's times; the residence of Peter the Great was located here and the first central highway passed through. In this context, placing the Museum of the Revolution in the Petrogradsky district of the Northern capital seems quite logical.

By the middle of the 18th century, the center of the capital moved to the left bank, and the area, which turned into an outskirts, with its wooden houses, resembled a county town, where the streets were overgrown with slush and dirt in the off-season, and in the summer livestock walked along them.

The ban on the construction of enterprises in the center of the capital initiated the creation of large factories and factories on the Petrograd side. The industrial development of the area in the 19th century led to the emergence of scientific and cultural institutions and educational institutions here. On the basis of the apothecary garden, created by decree of Peter I for the cultivation of medicinal plants, a Botanical Garden was established. The famous roller coaster ride and the Zoo, one of the northernmost zoos in the world, as well as the largest People's House, designed for cultural leisure of the general public, appeared in the Alexander Park. The territory and living space are being improved - water supply and sewerage are being laid, and a horse-drawn tram - a horse-drawn tram - is running along the main avenue.

Architecture and history of the building

The real construction boom began after the opening of the Trinity Bridge in 1903, which connected the Petrograd side with the center. In the aristocratic and bourgeois circles of St. Petersburg, the area became a fashionable place for building houses, very soon turning from a backwater into a respectable residential area.

One of the first on Bolshaya Dvoryanskaya Street (now Kuibysheva, 2) was the mansion of Matilda Feliksovna Kshesinskaya, designed by the architect A. I. von Gauguin, who was awarded a silver medal from the city authorities for this creation. Designed in the early northern modern style, with colors and shapes reminiscent of the rocky northern shores and medieval castles, the mansion has a number of distinctive features. Its main entrance is hidden in a small courtyard behind a fence, and the free rhythm of window openings of various sizes is original.

A talented prima ballerina of the Mariinsky Theater, an intelligent and beautiful woman, being under the patronage of the members of the imperial house, Kshesinskaya held receptions, balls, performances, and concerts in her own palace. The luxurious interiors corresponded to the tastes of the hostess: the bedroom was made in the English style, the Russian Empire style reigned in the large hall, the strict and restrained neoclassicism of the Louis XVI era was reflected in the decoration of the salon.

Her closest neighbor turned out to be a successful entrepreneur, hereditary honorary citizen, timber merchant Vasily Emmanuilovich Brant. Architect Robert-Friedrich Meltzer completed the construction of a mansion for him on Bolshaya Dvoryanskaya Street (4 Kuibysheva Street) in 1911, mixing all the fashionable styles: neoclassicism, modernism and symbolism. The building is richly decorated with high reliefs, cast iron and stained glass windows - their authorship is attributed to the famous artist K. S. Petrov-Vodkin. The narrow side facade with an arch faces the street, the main part of the house is located in the garden and is surrounded by a cast-iron fence, the pillars of which have an unusual decoration in the form of balls entwined with snakes.

After the February Revolution of 1917, the Bolsheviks settled in the Kshesinskaya mansion, V.I. Lenin’s headquarters was located here, he delivered his fiery speeches from the balcony, and his famous April Theses were heard for the first time in the White Hall. Brant's house was occupied by sailors guarding the Bolshevik headquarters from the cadets of the Provisional Government.

The ballerina left the country forever, in Paris she opened a ballet school and married Grand Duke Andrei Romanov. Having lived to almost 100 years old, she was laid to rest with her husband and son in the famous cemetery of Sainte-Genevieve-des-Bois. The Brant family left Petrograd in 1918 and their trace was lost.

During the Soviet years, various institutions were located in these buildings, M.I. Kalinin, G.E. Zinoviev lived, a children's boarding school was located, and since 1938, the Kshesinskaya mansion housed the S.M. Kirov Museum.

Reconstruction in 1957 connected both mansions according to the design of architect N. N. Nadezhin. A certain act of historical justice was accomplished: the historical buildings, in which the turbulent events of the revolutionary years were in full swing, became the property of the Museum of the Revolution. The office of V.I. Lenin and the room of the Secretariat of the Central Committee of the RSDLP(b) were restored in their original place and look the same as they did 100 years ago. The interiors of the front suite on the first floor have been recreated, giving an idea of ​​the splendor of the apartments of its first owner.

Exhibition and attractions

A small part of the exhibition and the thematic excursion “Fouette of Fate” are dedicated to Kshesinskaya’s life in this house, but, of course, the main permanent exhibitions: “Man and power in Russia in the 19th – 21st centuries” and “The Soviet era: between utopia and reality” correspond purpose of the museum, and tell about the political history of Russia, as well as immerse in the atmosphere of those years.

Each century has its own calendar beginning, an era begins with an epoch-making event. Such significant milestones in the political history of Russia are December 1825 and February-October 1917, 1941-1945, the thaw of the 1960s and perestroika of the 1990s.

Moving from hall to hall - from era to era - you can trace the entire history of the transformation of the state and changes in the country's political system.

Exhibition materials tell how the socio-political movement in Russia arose and developed, how revolutionary and democratic parties were formed. The exhibitions will tell you a lot of interesting things about the fates of outstanding historical figures.

Almost all political forces of modern Russia of the 21st century at the federal and regional levels are represented here. This meeting, unique in its breadth of coverage, reveals the activities of leaders of various parties, members of the State Duma and the Russian Parliament.

The exhibitions are selected by topic, the information is presented in an easy-to-read form, complemented by appropriate musical accompaniment.

The museum's collections contain almost half a million exhibits, and are constantly replenished with new materials donated and collected on scientific expeditions.

The museum's funds store photographs, objects of fine art, everyday life and clothing of government officials, banners and awards, party documents and much more.

Of particular value are documentary monuments of long-gone events that document the legislative activities of Catherine the Great, the reformist policies of Alexander II, the reforms of P. A. Stolypin and S. Yu. Witte, and evidence of three Russian revolutions.

Having a huge amount of authentic historical materials, the creative team of the museum skillfully uses modern technologies and immerses visitors in the atmosphere of significant events for the state. The museum sees its mission in the formation of political culture in society.

Where is it and how to get there

The Museum of Political History of Russia (formerly the Museum of the Revolution) is located in the historical center of the city in the Petrogradsky district, on Kuibysheva Street, building 2-4.

From the nearest metro station "Gorkovskaya" walk along Kronverksky Prospekt.

No less interesting are the branches of the museum:

On Gorokhovaya Street, 2 you can get acquainted with the history of the police and state security agencies of Russia. The most convenient way to get there is by metro. The nearest station, Admiralteyskaya, is within walking distance, and the building itself is located opposite.

At 13 Bolotnaya Street there is a Children's Museum Center for Historical Education. The nearest metro station is Ploshchad Muzhestva, from which you can walk for a few minutes along 2nd Murinsky Avenue and then turn right onto Bolotnaya Street.