Why Onegin rejects Tatyana's love. Why does Tatyana, loving Onegin, ultimately reject his love according to the novel Eugene Onegin (Pushkin A

Why did Tatyana Larina reject Onegin and deny him love?

Firstly, because adultery (cheating on one’s husband even in thoughts) is a mortal sin, and she was nevertheless raised a Christian. Secondly, he was the first to reject her, so it was unfaithful for her to repay him in the same coin.

To spite him. When she confessed her love for Onegin, he rejected her. then she refused him out of spite

She refused him at the end of the novel. Because she is already married and does not intend to cheat on her husband.

And in the beginning she loved Onegin very much, but he didn’t need her.

In the end, he became interested in her more out of pride, he wants her to always be pining for him. And on sincere love people like Onegin are not capable.

Because she was no longer free. Noya was given to another and I will be faithful to him forever. Loyalty in married life was not an empty phrase for her. What kind of future would await them if she reciprocated his feelings? If this had happened, then Leo Tolstoy would have no need to write the novel Anna Karenina

Because you need to do everything on time. It's too late to talk about love when a woman is no longer free. I realized late that I loved him. And when she is a stranger, then this forbidden fruit is sweet. Moreover, Tatyana understood that Onegin was not serious and why ruin her life, her husband’s life, for the sake of some kind words. Honor was paramount then. And common sense defeated heart addiction. I respect such women, but modern ones, who are not guided by love impulses. Not every man will appreciate the fact that they gave up everything for him and followed him to the ends of the earth. And not everyone can be followed.

Because she knew perfectly well what would happen if she acted differently. What exactly was described in prose by another genius of Russian literature - L.N. Tolstoy. True, at that time, when writing a sequel to a sequel, it was not customary to preserve the names of the main characters. And Tolstoy named his heroine Anna Karenina.

Can differently interpret Pushkin's novel Eugene Onegin. Probably because she didn’t want to ruin her marriage and deprive her children of their father. And besides, she understood with her mind that her husband was a fortress, and Onegin, although so airy and romantic, was fickle.

She made a choice. She, as a woman, wife, mother, is obliged to think about her and her children’s well-being, the stability of marriage, and traditions. respect for her spouse. She has matured and understands that this is much more than passionate feelings. And an insecure man, disappointed with life, will not be able to give her this, and therefore happiness.

Previously, people have not divorced for such a reason as dislike for their spouse. This time. And secondly, Tatyana treated her husband with great respect. Thirdly, Onegin is not worthy of Tatiana. He values ​​form over content. He didn't need Tatyana while she lived in the village. And when she became a socialite, Evgeniy suddenly developed a love for her. Yes, I think Onegin was not the only one who was in love with her. Surely there were other men nearby who secretly sighed about her. Their marriage would not be happy, Onegin is too selfish.

Tatyana never stopped loving Evgeniy, which she confirmed on their last date

Did she refuse Onegin's hope for an affair? adultery? you can understand it any way you like. She denied him the right to compromise both herself and her husband.

She is truly noble because she thinks not only about her impeccable reputation, but also about her husband’s honor, which is perhaps not more important for her at the moment.

But she still loves Onegin. Because strong love It doesn't disappear that quickly. Perhaps it will happen that she will love her husband too. We won't know. Because this is a completely different story.

Tatyana is an integral and noble nature. If she makes a decision, she follows it to the end. It would be unthinkable for her to cheat on the husband to whom she once swore allegiance. Honesty and decency are not empty words for her, although she didn’t even have to think about it, because they were part of her nature.

With every action, Evgeniy wants to earn Tatyana’s attention and tender gaze, but she is indifferent and cold. She hid all her feelings far, far away, she “closed her heart in chains,” as Onegin once did. Current life Tani is a masquerade. There is a mask on her face that looks completely natural, but not for Evgeniy. He saw her as no one else around him did now. He knows tender and romantic, naive and in love, sensitive and vulnerable Tanya. The hero hopes that all this could not disappear without a trace, that under this mask is hidden the true face of the girl - the village Tatyana, who grew up on French novels and dreams of great and pure love. For Evgeniy, all this was very important, but gradually hope melted away, and the hero decided to leave. At the last explanation with Tatyana, he “looks like a dead man.” His passion is similar to Tanya’s suffering in Chapter 4. When the young man came to her house, he saw the real Tanya without a mask and pretense:

The moral principle was especially clearly manifested in the image of Tatyana Larina. I would add more to her distinctive feature amazing subtlety and sensitivity of nature, which you will not find among metropolitan girls. So, Onegin, having described another circle of life, full of disappointments and empty hobbies, meets Tatyana again and rushes to her with all his soul, understanding and finally appreciating her fully. But, unfortunately, in response he heard:

The novel "Eugene Onegin" was created by Pushkin over a period of 8 years (from 1823 to 1831). If the first chapters of the novel were written by a young poet, almost a youth, then the final chapters were written by a person with considerable life experience. This "growing up" of the poet is reflected in the novel. Main character- Evgeny Onegin - just like the poet himself, he grows up, gets smarter, gains life experience, loses friends, gets mistaken, suffers. How are the stages of the hero’s life shown in the work? With the title of the novel, Pushkin emphasizes the central position of Onegin among other heroes of the work. Onegin, a secular young man, a metropolitan aristocrat, received a typical upbringing for that time under the guidance of a French tutor in the spirit of literature, divorced from national and popular soil. He leads the lifestyle of the “golden youth”: balls, walks along Nevsky Prospect, visiting theaters. Although Onegin studied “something and somehow,” he still has high level culture, differing in this respect from the majority of noble society. Pushkin's hero is a product of this society, but at the same time he is alien to it. His nobility of soul and “sharp, chilled mind” distinguish him among aristocratic youth, gradually leading to disappointment in the life and interests of secular society, to dissatisfaction with the political and social situation: “No, the feelings in him cooled down early. He was bored with the noise of the world...” “Emptiness” Onegin is tormented in life, he is overcome by melancholy and boredom, and he leaves secular society, trying to engage in socially useful activities. The lordly upbringing and lack of habit of work (“he was sick of persistent work”) played their role, and Onegin does not complete any of his undertakings. He lives “without purpose, without work.” In the village, Onegin behaves humanely towards the peasants, but he does not think about their fate, he is more tormented by his own moods, the feeling of the emptiness of life. Having broken with secular society and being cut off from the life of the people, he loses touch with people. He rejects Tatyana Larina's love...

Unlike these characters, Andrei Gavrilovich Dubrovsky is a liberal landowner. Idleness and debauchery are not his way of life. Having seventy peasants, Dubrovsky treats them differently than his tyrant neighbor. That’s why the peasants respond to him with respect and love, that’s why they are ready to die so as not to fall into bondage with Troekurov. The abolition of serfdom probably would not have frightened Andrei Gavrilovich, and he was unlikely to interfere with it. Neither in the first years of his life on the estate, nor later, Andrei Gavrilovich agreed to take advantage of the gifts that Troekurov offered him. Moreover, unlike other landowners, Dubrovsky was never afraid to express his thoughts in the presence of an arrogant neighbor. This speaks of this man’s pride, and real pride, not Troekurovsky’s.

The fact is that simple people Pushkin is cute, we are convinced more than once. Take, for example, Egorovna, Vladimir Dubrovsky’s nanny - with what love the author describes her and how he admires her! She has never studied any sciences, but she has a great sense of the richness of the Russian language; the old peasant woman seems to us, although naive, but in her own way an intelligent woman. Here, realizing how her master’s quarrel with Troekurov could end, Yegorovna, having adopted all her “diplomatic” skills, asks Vladimir to come: with her maternal and feminine instincts, the peasant woman guessed what she would bring to her master now greatest joy and peace. She was also worried about the soul of young Vladimir - she did not want her pupil to reproach himself for selfishness towards his father all his life. Egorovna has a feeling of gratitude. All his life he served one master with devotion, raised someone else’s son as if he were her own, the old peasant woman does not leave her benefactors in difficult times for them. Brought up in the spirit of love for neighbors, Yegorovna calls not to do harm to anyone, no matter how bad people are. She is a real Christian.

On the pages of Dubrovsky we meet many people of the noble class. Some of them are depicted fully and comprehensively (Troekurov, Dubrovsky), others are fragmentary (Prince Vereisky), and others are mentioned in passing (Anna Savishna and other guests of Troekurov). It must be said that the landowners differed from each other only in the number of peasants they had and in their attitude towards them. The plot of the story revolves around the conflict between two landowners - Kiruet Petrovich Troekurov and Andrei Gavrilov Dubrovsky, but other nobles are unwittingly involved in it. Everyone was essentially divided into two camps. In one - Andrei Gavrilovich Dubrovsky and his son Vladimir, the other is much more numerous - Troekurov and all the other landowners who are regulars at his house.

Onegin and Tatyana change roles. When he was indifferent to the girl, now he seeks her attention. When she, in self-forgetfulness of feelings, wrote a letter to Onegin declaring her love, now he writes to her. And Tatyana is cold and imperturbable. She can talk to Onegin, she can not notice him. Tatyana does not distinguish him from other guests who visit her house or those houses where she visits. In those stanzas where Pushkin talks about the new look of Tatyana, he constantly reminds of what she was like, compares, contrasts the society lady with the former naive young lady, obsessed with reading sentimental romance novels. But at the end of the work it becomes clear that the contrast between the current and former Tatiana is purely external, conditional. Deep down in her heart she regrets the simple rural life and loves Onegin no matter what. “But I was given to another and I will be faithful to him forever,” she answers Onegin’s love confession. Tatyana remains faithful not only to her husband, but also to herself.

Tatyana's attitude towards Onegin suddenly flared up is completely different. The heroine not only takes her feelings for Onegin seriously, she sincerely believes that this is fate, that this is for life. It is in this attitude to love that the explanation is rooted that the girl decided to write a letter herself. young man and confess your feelings, although in those days this was considered a bold offense. And even when Onegin rejects Tatiana’s love, the girl continues to love him. When she becomes a princess, a society lady, she still does not forget her first and only love.

But if deep down in her soul Tatiana remains the same, then her manners change so much that Onegin barely recognizes the princess as the village girl who once confessed her love to him. Onegin told her: “... learn to control yourself.” Well, she learned this science well! Previously, everyone could have noticed Tatiana’s confusion (if only the attention of the guests at her name day had not been distracted by the fatty pie). Now no one can read on the girl’s face what is happening in his soul. Perhaps the meeting with Onegin at a social event stirred up memories in Tatyana of her former life and naive girlish dreams, but she did not betray her feelings in any way:

Onegin is a person, satiated with pleasures, who yawns “among the fashionable and ancient halls.” He is still able to appreciate the sincerity and strength of Tatyana’s feelings, but he does not want and cannot share them, since his soul has lost spontaneity and faith in happiness.

Pushkin's work is well known to Western audiences through Tchaikovsky's opera or the ballet in three acts by choreographer John Cranko. Young Onegin rejects Tatyana Larina's sincere love, which she confesses in a famous letter. Onegin was introduced to her family by him best friend Vladimir Lensky, an admirer of her sister, Olga. After Onegin began flirting recklessly with Olga, Lensky challenged him to a duel. To Onegin’s endless regret, Lensky was mortally wounded. Despite her grief, Olga subsequently marries, and Tatyana meets an aristocrat in Moscow and becomes his wife. When Onegin and Tatyana meet again, he confesses his love to her. But Tatiana rejects him, although she also admits that she still loves him. In Russian literature or drama, a work rarely has a happy ending, if such a thing is possible in principle.

Tuminas omitted many of Pushkin’s author’s digressions, but very vividly depicted women, focusing on them Special attention. Evgenia Kregzhde, in the role of Tatiana, transforms before our eyes from a naive village girl into a reserved and imperturbable lady from high society. Olga is her kind of antipode, but she was also influenced by tragedy, turning her into a faithful and dutiful wife, absorbed in a society in which a woman has no choice but to get married “successfully.” Tuminas managed to create a bright, memorable stage picture: Tatiana and her friends fly up on a swing in a silvery area above the heads of the men.

E. Chernykh

According to sexologist Alexander Kotrovsky, the heroine of the novel was only 13 years old.

Onegin, who rejected the love of a village girl and then became inflamed with passion for a social beauty, was not condemned only by the lazy. IN school essays This unseemly act of his is being dismantled piece by piece for the second century in a row.

On the traditional Pushkin days, which are celebrated in Russia in the first days of summer, sexologist Alexander Kotrovsky put forward to Komsomolskaya Pravda a new, sensational version of the reading of the poet’s most famous novel. The conversation about Pushkin started almost by accident. We talked with a candidate of medical sciences about the wave of pedophilia that swept the country this year. What to do?

Take an example from Evgeny Onegin! - said the doctor. - He did not seduce young Tatyana, although the girl herself offered herself to him. Onegin should become a model for schoolchildren. Look guys, here it is a real man! There would be fewer pedophiles in the country.

Nowadays, every day there are reports of child victims of violence. The State Duma is already proposing to give life imprisonment to those who committed sexual acts with teenagers under 14 years of age. And Tatyana was 13!

Can't be! - I was amazed.

And I heard a new and, frankly speaking, slightly stunned interpretation of the novel - from the point of view of a sexologist. Here she is.

Give urgent rehabilitation to Evgeniy!

It's time to finally restore justice! A 26-year-old man quite naturally refused a 13-year-old, and the progressive public condemns him for this noble act! Let's turn to the novel. After 17 years, Evgeniy began attending balls. Had many sexual relations with married women. And with the girls to whom he “gave lessons privately in silence.” He was a genius in the science of tender passion. He had a strong sexual constitution.

At the age of 26, he found himself in a remote village, registering the inheritance of a wealthy uncle. All the mistresses remained in St. Petersburg. Experienced forced sexual abstinence. And then the 13-year-old landowner’s daughter offers herself to him. “It is the will of heaven: I am yours!” He refuses. Evidence that he had a normal psychosexually oriented libido by gender and age. I was drawn to mature women, sexually mature girls. But not for girls!

There were no romantic feelings for Tatyana either. I appreciated that her feelings were also immature. The girl read a lot of romance novels and decided to realize her romantic libido. Came up here mysterious person from the capital. And after all, Evgeny kept the very fact of the letter secret, did not boast and compromise Tatyana. A real man!

Why then did our ideal burn with passion for the married Tatyana?

After long wanderings he returned to St. Petersburg. At the very first ball I saw the most beautiful lady in the capital, immediately fell in love with her and tried to get closer. Risking my reputation and the reputation of Tatyana and her husband. This means that normal libido has been preserved. He didn’t react to the girl, but to the grown-up beauty - instantly! He hardly recognized that same Tatyana. Another confirmation. Be she an adult girl at their first meeting, it would hardly have changed beyond recognition. And the 13-year-old girl changed after 3-4 years.

By the way, at the beginning of the 19th century completely different morals reigned. And if Onegin had become close to Tatyana, it would have been perceived normally. But, unfortunately, there is an opinion that Tatyana is a victim, a sufferer. Onegin, a womanizer, caused her deep emotional trauma. In fact, he is a hero of our time.

I listened to the sexologist’s fantastic version, and one thought was beating in my head: “It can’t be! Tatiana, a Russian soul, cannot be 13 years old!” The sexologist made a mistake! I think that readers are also in shock.

Returning home, I was surrounded by the works of Pushkin, the memoirs of his contemporaries, the works of Pushkin scholars, literary scholars, starting with the frantic Vissarion Belinsky. I even dug up Ovid Nazon, who suffered for the science of tender passion. I studied and compared for three days. And this is what was revealed to me...

The poet's truth

First of all, I opened the fourth chapter of Onegin, which the sexologist referred to. It begins with the famous lines:

How smaller woman we love,
The easier it is for her to like us.

But usually no one delves into the sequel, although they contain the solution to the mystery of the novel.

And the more likely we destroy her
Among seductive networks.
Debauchery used to be cold-blooded
Science was famous for love,
Trumpeting about myself everywhere
And enjoying without loving.
But this is important fun
Worthy of old monkeys
Grandfather's vaunted times...

(In a letter younger brother To Lev, the 23-year-old poet put it more specifically: “The less they love a woman, the sooner they can hope to possess her, but this fun is worthy of an old monkey of the 18th century.” He hasn’t sat down to “Onegin” yet. - E. Ch.)

Who isn't bored of being a hypocrite?
Repeat one thing differently
It is important to try to assure that
What everyone has been sure of for a long time,
All the same objections to hear,
Destroy prejudices
Which were not and are not
A GIRL IS THIRTEEN YEARS OLD! (emphasis added by me. - E. Ch.).
That's exactly what my Eugene thought...

Don't confuse Tanya and the nanny

So, main question: where did the THIRTEEN YEAR OLD girl in the novel come from, about whom our hero thought when he received Larina’s letter? Who is she? Tatiana's nanny? (All the teachers and just intellectuals I interviewed instantly pointed to the old woman!) She really went down the aisle at the age of 13, but there was no smell of the debauchery of old monkeys. Husband Vanya was even younger! And Onegin did not know about the early marriage of some nanny - Tatyana did not write about her, and personally, before the explanation in the garden, she did not speak to her beloved at all. Accidental typo? I opened the pre-revolutionary collected works of Pushkin of the 19th century with yats. Also - “thirteen”.

Is there a word inserted for rhyme? You could just as well have written “fifteen” and “seventeen.” The girl is an abstract figure, to put it simply? But Pushkin has nothing accidental in his poems. He is always accurate even in details. It turns out that Tatyana Larina was 13 years old when she sent Evgeniy a letter?! After all, her age is not indicated anywhere else in the novel.

And Pushkin always reported the age of his heroines. Even an old one queen of spades. (The exception is the old woman with a broken trough and Lyudmila, Ruslan’s bride. But then, fairy tales.) And in the main novel of his life, he could not break the tradition.

I haven't forgotten about the men. Lensky is “nearly eighteen years old.” For the first time we also see Onegin himself as a “philosopher at eighteen”, getting ready for a ball. At the balls the hero “killed eight years, losing his life best color" It will turn out to be 26. Exactly according to Pushkin: “Having lived without a goal, without work until the age of twenty-six.”

There are also explicit hints in the novel young age Tatiana. “She seemed like a stranger in her own family.” She didn’t play with dolls or burners, and she didn’t go to the meadow with the youngest Olenka and her “little friends.” And I read romance novels avidly.

British Muse of Tall Tales
The girl's sleep is disturbed.

(A youth, a young woman - ages from 7 to 15 years, says the famous Dictionary Vladimir Dal. Doctor Dal was a contemporary of the poet; he was on duty at the bedside of the mortally wounded Pushkin.)

Inflamed with passion for Onegin, the girl asks the nanny if she was in love?

And that's it, Tanya! THIS SUMMER
We haven't heard about love;
Otherwise I would have driven you away from the world
My deceased mother-in-law.

IN THIS (that is, Tanya) SUMMER, the nanny has already walked down the aisle. And let me remind you, she was 13 years old.
Onegin, returning from the ball, where he first saw the general’s wife, a society lady, asks himself: “Is it really the same Tatyana? That GIRL... Or is this a dream? That GIRL whom he neglected in his humble lot?”

“Wasn’t it news to you that a humble GIRL loves you?” - Tatyana herself reprimands the hero.

Onegin acted nicely

Let's continue reading the fourth chapter, where a 13-year-old girl appeared.

Having received Tanya's message,
Onegin was deeply touched...
Perhaps the feeling is an ancient ardor
He took possession of it for a minute;
But he didn't want to deceive
The gullibility of an innocent soul.

It turns out that Evgeny did not want to destroy an innocent girl like an old depraved monkey. And that’s why he refused. Tactfully taking all the blame on himself so as not to injure Tatyana. And at the end of the date he gave the girl good advice.

Learn to control yourself;
Not everyone will understand you like I do;
Inexperience leads to trouble.

I read Alexander Sergeevich carefully and suddenly realized what stupidity we were forced to do at school, tormented over essays about the relationship between Evgeny and Tatyana! Pushkin explained everything himself and himself assessed the actions of his hero.

You will agree, my reader,
What a very nice thing to do
Our friend is with sad Tanya.

The Russian girl is not a person!

How old was Olga then, whom 17-year-old Lensky was going to marry? Maximum 12.

Where is that written? IN in this case Pushkin only indicated that Olya was younger sister 13-year-old Tatiana. A little boy (about 8 years old according to Dahl), Lensky was a touched witness of her INFANT amusement. (Infant - up to 3 years old. From 3 to 7 - child). We consider: if he was 8 years old, then she was 2-3 years old. By the time of the duel, he was almost 18, she was 12. Do you remember how indignant Lensky was when Olya danced with Onegin?

Just out of diapers,
Coquette, flighty child!
She knows the trick,
I've learned to change!

And he challenged his friend to a duel. Of course you are shocked. At that age - and get married?! Don't forget what time it was. This is what Belinsky wrote in an article about Onegin: “A Russian girl is not a woman in the European sense of the word, not a person: she is something else, like a bride... She is barely twelve years old, and her mother reproaches her for laziness, for her inability to hold on. .., says to her: “Aren’t you ashamed, madam: after all, you are already a bride!”

And at 18, according to Belinsky, “she is no longer the daughter of her parents, no longer the beloved child of their hearts, but a burdensome burden, goods ready to linger, excess furniture, which, just behold, will fall off the price and will not get away with it.”

This attitude towards girls and early marriages are explained not by the savagery of customs, but common sense, says sexologist Kotrovsky. - Families then, as a rule, had many children - the church prohibited abortion, and reliable contraception did not have. The parents tried to quickly marry the girl (“an extra mouth”) into someone else’s family, while she looked young. And the dowry required for her was less than for a withered maiden. (The age-old girl is like an autumn fly!) In the case of the Larins, the situation was even more acute. The girls' father died, the brides had to be arranged urgently!

Yuri Lotman, a famous literary critic, wrote in his comments to the novel: “Young noblewomen got married early in the early 19th century. True, the frequent marriages of 14-15-year-old girls in the 18th century began to go out of common practice, and 17-19 years became the normal age for marriage. Early marriages that were in peasant life the norm, in late XVIII centuries were not uncommon for provincial noble life not affected by Europeanization. A. Labzina, an acquaintance of the poet Kheraskov, was married off when she was barely 13 years old. Gogol's mother was married at 14. However, the young novel reader's first hobbies began much earlier. And the surrounding men looked at the young noblewoman as a woman already at that age at which subsequent generations would have seen in her only a child. The 23-year-old poet Zhukovsky fell in love with Masha Protasova when she was 12. The hero of “Woe from Wit” Chatsky fell in love with Sophia when she was 12-14 years old.”

Everything seems to be working out smoothly. And yet, I confess, dear reader, I was constantly tormented by one question. Why, why did Pushkin assign his beloved heroine to be 13 years old? All his other heroines in love were older. Dunya, the daughter of a stationmaster, ran away with a hussar after 14 years. The peasant young lady Liza, Dubrovsky’s beloved Masha Troekurova, and Marya Gavrilovna from “The Snowstorm” turned 17. The captain's daughter Masha is all 18. And then... And suddenly it dawned on me! Yes, he deliberately made Tatyana so young! If Onegin had rejected the love of 17-year-old Larina, questions could really arise for him. A callous person! But it was precisely at her young age that Pushkin was able to emphasize the morality of his beloved hero, whom he largely copied from himself. So, maybe sexologist Kotrovsky really is right?

Parallels

Natasha Rostova fell in love early

In Russian literature there is only one heroine who, in the love of readers, comes close to Tatyana Larina. Natasha from War and Peace by Leo Tolstoy. Also a noblewoman. We meet the girl for the first time on her name day. In love with officer Drubetsky, she caught Boris in a secluded place and kissed him on the lips. Embarrassed Boris also confessed his love to the girl, but asked not to kiss her again for 4 years. “Then I will ask for your hand.”

The situation is exactly like in Eugene Onegin. But it does not cause controversy.
And at this time, her father, Count Rostov, recalls in small talk that their mothers got married at the age of 12 - 13.

CONTRADICTION?

The poet himself appointed the heroine to be 17 years old!

Yuri Lotman refers to Pushkin’s correspondence with Vyazemsky. The prince found contradictions in the heroine's confession. The poet replied that this was “a letter from a woman, 17 years old at that, and in love!”

It would seem that there is nothing to argue about. But let's try to argue. The poet answered his friend in obvious irritation: “I’m amazed how Tatyana’s letter ended up in your possession. Interpret this to me." The intrigue is that the prince dreamed of publishing the third chapter himself, but Pushkin gave it to his brother. And it hasn't come out yet! Where did the information leak come from? (The poet wrote the novel in verse for 8 years! And published it in separate chapters as they were ready.)

He could then simply write back to the prince about 17 years. Or he didn’t want to reveal the heroine’s age. But, most importantly, at that moment Pushkin had not yet sat down to the 4th chapter, where the girl appears at the age of 13. The original plan may have changed. But even Lotman did not comment on the girl without prejudice. Although he indicated the ages of Onegin and Lensky strictly according to the novel.

The nanny was getting married according to the law!

“The legal provision for peasants has been made quite decently - a woman is 13 years old, and a man is 15 years old for marriage, through which, at their young age, having become accustomed, firstly, to each other, and secondly, to their parents, they will have direct love with fear and obedience,” wrote economist S. Drukovtsev at the end of the 18th century.

Why does Onegin reject Tatiana's love?

Onegin is condescending and generous, straightforward and honest, and at the same time indecisive and even cruel. He nobly does not accept “the science of tender passion that Nason sang... in which he was a true genius,” but fearfully refuses true love, requiring enormous exertion of mental strength. The murder in a duel, provoked by Onegin’s selfish desire to annoy his friend, revealed another weakness of Eugene - the persistence in him of secular conventions, false ideas about noble honor, conventions so deeply despised by him, from which he fled from St. Petersburg. Onegin refused love, which could decorate his life, but now he has lost his only friend, sincere, trusting.

The two people closest and dearest to him were rejected by him because of their invincible spiritual coldness, their inability to step over the insignificant and secondary in the name of the lofty.

He pays her sincere tribute:

When would a family picture
I was captivated for just one moment, -
That's right, except for you alone
I was looking for no other bride.

Onegin convinces Tatyana that he is not created for a measured and monotonous family life filled with quiet joys:

But I am not made for bliss;
My soul is alien to him;
Your perfections are in vain:
I am not worthy of them at all.
Believe me (conscience is a guarantee),
Marriage will be torment for us.

There is no return to dreams and years;
I will not renew my soul...
I love you with the love of a brother
And maybe even more tender.

Tatyana, having visited Onegin’s estate, re-reads books from his library and notices with fear that her chosen one prefers novels, “which reflect the century and modern man is depicted quite faithfully with his immoral soul, selfish and dry, his dreams immeasurably devoted, with his embittered mind seething in empty action.” And Tatyana, no matter how careful she is towards her beloved, no matter how jealous of everything that surrounds him, still doubted his human worth:

What is he? Is it really imitation?
An insignificant ghost, or else
Muscovite in Harold's cloak,
Interpretation of other people's whims,
A complete vocabulary of fashion words?..
Isn't he a parody?

No, Onegin is far from a parody, but a living person, and his fate, conditioned by the entire development of noble culture, is just as sad as the fate of Tatiana. For the first time in his life, having experienced a real feeling of love, Onegin reveals his soul in a letter to Tatyana. He became spiritually richer, deeper, more humane, more sensitive. How different he is at the end of the novel from the smart, cold aristocrat who explains in detail to Tatyana the reasons for refusing her love. Now he is in the position of a lover, sincere, defenseless, not afraid of ridicule. Now he evokes compassion in the reader with his life drama, with his entire broken, distorted life:

If only you knew how terrible
To yearn for love,
Blaze - and mind all the time
To subdue the excitement in the blood;
Want to hug your knees
And burst into tears at your feet
Pour out prayers, confessions, penalties,
Everything, everything that I could express...

Onegin was most influenced by in the best possible way: He began to notice the difficulties of the peasants and began to undertake reforms to make their lives easier:

He is the yoke of the ancient corvée
I replaced it with a light quitrent.

The folk song was also very popular and loved among provincial nobles. For example, "girls' song." The fact is that when picking berries, the girls, by order of the stern landowner, were forbidden to eat a lot of them, and so that the girls did not violate the order, they were forced to sing. Typical representative of the capital's nobility, Onegin was “an enemy of order and a spendthrift” in the city and, of course, did not notice the people's needs, spending time in secular salons.

And now he:
...villager
Factories, waters, forests, lands
The owner is complete...

The life of the landowner families proceeded in peace and quiet. They were like a “good family” with their neighbors. They could laugh and slander, but this is not at all like the intrigues of the capital.
In the families of the nobles, “...they kept in their lives the peaceful habits of the dear old days.” Complied with traditional folk holiday rituals. At Maslenitsa they had pancakes. They loved songs and round dances.
They passed away quietly, without fuss. They had modest tombstones with equally modest inscriptions:

Humble sinner
Dmitry Larin,
The Lord's servant and foreman,
Under this stone he tastes peace.

From the tombstone inscriptions one can judge that the landowner villagers were not vain people, although among them there were many people worthy of high words. The same Dmitry Larin, for example, had an Ochakov medal for courage, but we learn about this only from the lips of Lensky, to whom Larin gave it to play with as a child. This fact testifies to the high spiritual qualities of this nobleman and moral purity and modesty.

The moral principle was especially clearly manifested in the image of Tatyana Larina. I would also add to her distinctive feature an amazing subtlety and sensitivity of nature, which you will not find among girls in the capital. So, Onegin, having described another circle of life, full of disappointments and empty hobbies, meets Tatyana again and rushes to her with all his soul, understanding and finally appreciating her fully. But, alas, in response he heard:

I know it's in your heart
And pride and direct honor.
I love you (why lie?),
But I was given to another;
And I will be faithful to him forever.

It doesn’t even occur to Tatyana to be disingenuous, flirtatious, or hide her feelings. She is sincere in love. It seems to me that if she lived most of her life in the capital, spiritual world hers wouldn't be so strong. Looking from this angle at the life of the capital and city nobles of that time, I was convinced that the spiritual world of the latter was much richer, closer to the people, and such heroes of Pushkin, naturally, evoke more sympathy in me than the capital’s golden youth of Pushkin’s era.

Sorry! And if it's fate -

We are destined to forgive forever!

Having read A.S. Pushkin's novel "Eugene Onegin", I can answer the question: why did Tatyana Larina reject Eugene Onegin at the end of the eighth chapter?

Tatyana, according to the author, represents the ideal of the “Russian soul.” They are easy to communicate, open, trusting, like a child, which is what the girl is at the beginning of the novel. For the heroine, everything is new and fresh. Tatyana and Vladimir Lensky, a friend of the Larin family, are close in spirit - they are both romantics. The heroine is thoughtful, dreamy and quiet, compared to her sister Olga, who is lively and sociable since childhood.

The Larin family represents a certain category of society - the patriarchal nobility. They honored the customs of their ancestors and observed religious fasts. In general, Tatyana represented the ideal of a Russian girl early XIX century.

The heroine lived a measured and smooth life until Evgeny Onegin moved to the village. He became her first and last love in life. Larina alternately blushed and turned pale in front of him; she could not speak. Tormented by her feelings, the girl decided to take a very important step - to write him a letter declaring her love. The message was anonymous, but Onegin guessed who its author was. In the Larins’ garden, everything was resolved: Evgeny broke Tatiana’s heart with the words that he was not a suitable match for a young, inexperienced girl and it will be bad for her to be married to such a flighty man.

After the duel with Lensky, Onegin left the village.Six for long years Tatyana and Evgeny did not see each other.

During this time, Olga was married off to a hussar, and Tatyana was introduced into the world.9 There she met her future husband. He turned out to be a friend of Eugene, who would later introduce the changed Tatyana to Onegin. From an ordinary village girl, the heroine turned into a real lady of that time. Now Onegin is suffering from love, and Tatyana, it would seem, does not notice this, she is outwardly calm. He decided to write her a letter to open his heart. His message remains unanswered, after which Evgeny himself decides to go to Tatyana. Onegin wants Larina to leave husband and married him, but the girl, partly offended by him in the past, says a phrase that becomes the meaning of the entire dialogue:

...I love you (why lie?)

But I was given to someone else:

I will be faithful to him forever.

Now Onegin leaves with a wound in his heart.

There were many such broken destinies as those of Evgeniy and Tatyana. Reluctance to leave freedom in the past often threatens loneliness in the future. Everything could be changed by doing right choice. It was so easy to decide, wasn’t it?

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why Tatyana refused Onegin love essay

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With all the diversity of problems in the novel “Eugene Onegin,” Pushkin was occupied with the question of the ideal hero, whom Russian literature of the beginning of the century was persistently looking for. The writer’s thoughts were embodied in the main characters of the novel, Evgenia Onegin and Tatyana Larina. Indeed, from the first pages of the work it is they who stand out against the background of the vain and brilliant life secular society and the slow, stagnant existence of rural landowners.

Both Onegin and Tatyana acutely feel their alienation from the environment in which they are forced to live. This is expressed in the fact that Tatyana “seemed like a stranger in her own family,” and in Onegin’s blues. This means that Evgeniy and Tatyana have traits that bring them closer together. Dissatisfaction with the life around them plunges them into the wonderful world of books. In sentimental love stories, Tatyana sees a different, bright, interesting life, which differs so sharply from the wretched world of nails, trifles and brute.

She liked novels early on;

They replaced everything for her;

She fell in love with deceptions

And Richardson and Russo.

Pushkin gives detailed description Onegin's library, in which there is no place for sentimental novels. From fiction Eugene is attracted to Byron's romantic poems, since this literature became very popular among the capital's intelligentsia and, in addition, the heroes of Byron's poems - gloomy, lonely, disappointed people - were close and understandable to Onegin, for he often experienced similar feelings and moods. Eugene's reading range - the works of Smith, Gibbon, Herder, Rousseau - speaks of his interest in serious economic, historical and philosophical problems.

Both Onegin and Tatyana have a penetrating mind and powers of observation. The naive, inexperienced girl immediately saw Eugene’s dissimilarity from the provincial landowners she knew and felt the uniqueness of his nature. From his first acquaintance with Tatyana, Onegin did not allow himself to make vulgar advances with her, as he did with Olga, because he respected her feelings, appreciated her sincerity and purity.

In general, all relationships between Onegin and Tatyana are imbued with honesty and truthfulness. Tatyana writes a letter to Evgeniy, in which she confesses her love to a stranger, not only because she cannot contain her feelings, but also because she believes in his decency and nobility. Eugene answers her “with recognition also without art.” The heroes are honest with each other during their last meeting. Tatyana is sincere not only in the sphere of personal relationships. Having become an “indifferent princess”, “a legislator of the hall”, in her soul she remains the same Tatyana, but the conventions of St. Petersburg society force her to hide her true feelings, in which she openly confesses to Onegin:

Now I'm glad to give it away

All this rags of a masquerade,

All this shine, and noise, and fumes

For a shelf of books, for a wild garden.

These words of Tatyana demonstrate the independence and independence of her judgments. Her sharply negative assessment of high society also makes her similar to Onegin. Evgeny does not hide his attitude towards either the St. Petersburg elite or the village landowners. In conversations with Lensky, he completely freely puts everything on trial, even avoids communicating with annoying neighbors, not caring about what opinion will be formed about him.

But, having some similar qualities, Onegin and Tatyana are different from each other in many ways. Onegin's arrogance and selfishness are contrasted with Tatiana's spiritual generosity. These qualities of heroes are most clearly manifested in love. Onegin with youth learned the “science of tender passion,” which replaced true feelings.

How early could he be a hypocrite?

To harbor hope, to be jealous,

To dissuade, to make believe,

Seem gloomy, languish,

Be proud and obedient

Attentive or indifferent!

Constant pretense became second nature to him, suppressing in his soul the ability to love sincerely and strongly. This was not the feeling that awoke in him after the suffering he experienced! However, in seeking the love of Tatiana the Princess, he thinks first of all about himself.

Tatyana belongs to those rich and exalted natures who do not know calculations in love. She completely surrenders to her feeling, its strength and depth are higher than generally accepted morality and conventions. The motives for Tatyana's last act can be interpreted in different ways. But one thing is certain: she is strongly ordered to abandon her loved one. developed sense debt. Such a pure and integral nature as Tatyana is simply not capable of lying and pretending or finding happiness at the cost of humiliation and shame of an innocent person - her husband. This means that Tatyana, unlike Evgeny, thinks first of all about people. But he, on the contrary, is completely immersed in his own spiritual world. Many of his actions are dictated by selfishness and selfishness. But, perhaps, this is most clearly manifested in his relationship with Lensky. For example, without caring about his feelings, Evgeny openly expresses his impartial opinion about Olga. At the Larins' name day, he courtes Lensky's fiancee, causing suffering not only to his friend, but also to the girl in love with him. What makes him do this? A whim, a momentary whim that ends in tragedy. And this happened only because Evgeniy is concerned primarily with his reputation among the Zagorets, Petushkovs, Brawlers, whom he despises.

The heroes have different attitudes not only towards people, but also towards nature, towards Russian national traditions. Onegin, raised by French tutors in the noisy bustle of the capital, is not able to feel the beauty of rural nature, respect the language and customs of his people. Tatyana, who grew up among free fields and oak forests, communicating with the people (the closest person to her was a serf nanny), retained throughout her life a tender love for her native land and its nature, a touching affection for the “poor villagers.”

She loved on the balcony

Warn the dawn,

When on a pale sky

The round dance of the stars disappears.

Nature seems to come to life here, giving completeness to Tatiana’s inner portrait. Maybe this connection with native nature, the common Russian way of life endows the heroine with high moral qualities, gives charm and uniqueness to her appearance and makes us see in Tatyana the ideal image of a Russian woman.

The final explanation of Tatiana and Onegin in A. Pushkin’s novel “Eugene Onegin.”

The scene of the explanation of Tatiana and Onegin in the eighth chapter is the denouement of the novel, its logical conclusion. This chapter tells about the events that occurred several years after the death of Lensky, which to some extent separated the heroes. They meet again at the ball. The reader learns that Tatyana is now already married lady, from a provincial girl she turned into a society lady, a “legislator of the hall,” although she still retains her individuality: “She was not in a hurry, not cold, not talkative, without an insolent look for everyone, without pretensions to success, without these little antics , No imitative undertakings. Everything was quiet, it was just there. " Onegin does not even immediately recognize her at the ball. But he himself has remained virtually unchanged over the years: “Having lived without a goal, without work, Until the age of twenty-six, Languishing in the inactivity of leisure, Without service, without a wife, without business, I didn’t know how to do anything.”

The characters seem to have switched roles. Now Onegin “spends day and night in melancholy thoughts of love. " It would seem that Tatyana should be happy: now Onegin is in love with her and is suffering. But she does not reveal her feelings either at the first meeting (“Hey, she! It’s not like she shuddered, or suddenly became pale and red. Her eyebrow didn’t move; She didn’t even purse her lips.”), nor later, when Onegin confesses to her in her feelings in a letter (“She doesn’t notice him, No matter how he fights, even if he dies”); on the contrary, she is indignant:

Doesn't see him, doesn't say a word to him;

Uh! how surrounded you are now

She is Epiphany cold!

How to keep your anger at bay

Stubborn lips want!

There is only a trace of anger on this face.

Unable to stand the wait, Onegin goes to Tatyana’s house and what does he see?

The princess is in front of him, alone,

Sits, not dressed, pale,

He's reading some letter

And quietly tears flow like a river,

Leaning your cheek on your hand.

Oh, who would silence her suffering

I didn’t read it in this quick moment!

Tatyana continues to love Evgeny, she herself admits this to him. In the third chapter, the author writes, talking about her feelings for Onegin: “The time has come, she fell in love.” It would seem that this feeling of first love should have passed quickly, because Evgeny did not reciprocate her feelings; moreover, knowing about Tanya’s love, he courted Olga on her name day. Even Eugene's sermon in the garden did not affect Tatiana's feelings.

What prevents the heroine from reciprocating Oneginugin’s feelings now? Maybe she is not sure of the sincerity of his feelings? Tatyana asks Onegin:

Why are you persecuting Me now?

Why are you keeping me in mind?

Is it not because in high society

Now I must appear;

That I am rich and noble,

That the husband was maimed in battle,

Why is the court caressing us?

Not because it's my shame.

Now everyone would notice

And I could bring it in society

Do you want a tempting honor?

Don't think. Tatyana is a whole person. Although she was brought up on French novels (“She liked novels early; They replaced everything for her; She fell in love with the deceptions of Richardson and Rousseau”), the concepts of “family” and “marital fidelity” were not for her simple words. Although she does not love her husband, her moral principles do not allow her to cheat on him:

I got married. You must,

I ask you to leave me;

I know it's in your heart

And pride and direct honor.

I love you (why lie?),

But I was given to another;

I will be faithful to him forever.

The author stops the story about the heroes, says goodbye to them (“Forgive me, my strange companion, And you, my faithful ideal.”). But the reader himself can easily imagine the fate of his favorite characters. I think that each of them - both Tatiana and Evgeniy - are unhappy in their own way: Tatiana doomed herself to life with an unloved husband; Onegin's soul was reborn, but too late. “And happiness was so possible, So close. »